Get Free Ebook Framed Ink: Drawing and Composition for Visual Storytellers, by Marcos Mateu-Mestre

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Framed Ink: Drawing and Composition for Visual Storytellers, by Marcos Mateu-Mestre

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Review

“With Framed Ink, Marcos Mateu distills his twenty-plus year career in feature animation into a clear, practical manual on the language of images.  Marcos has a special eye for composition, lighting, and continuity that creates a tangible sense of mood and drama in all of his work.” -       Jeffrey Katzenberg, Co-founder and CEO DreamWorks Animation SKG“There are some people who draw in a way that looks like they load their pens with pure liquified fun. Concept artist Marcos Mateu has a wonderful character of line and a jaunty, casual style that makes it look like the lines danced out and created the image of their own accord. His loose, relaxed application of color, which careens between brilliant lights and rich, atmospheric darks, just adds to the visual treat. Mateu’s drawings have just the right touch of exaggeration to give them extra visual appeal; lines are given an extra spring, forms bent out just a bit, and figures swirled into motion in a way that gives everything a sense of verve and life.” - Charley Parker

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About the Author

Spanish born Marcos Mateu-Mestre is a visual concept, traditional animation layout, and graphic novel artist whose film credits include titles such as ‘Balto’, ‘The Prince of Egypt’, ‘Asterix and the Vikings’ and ‘Surf’s Up’ amongst others. With an extensive experience of twenty years in feature animation, working mainly for Dreamworks  and Sony Pictures, he has also been teaching drawing, illustration and visual storytelling techniques for twelve years. His works as a film maker have mostly included both the design and cinematic aspects of film, taking care of frame composition, lighting and visual continuity of many key sequences in some major productions.

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Product details

Paperback: 128 pages

Publisher: Design Studio Press (August 31, 2010)

Language: English

ISBN-10: 1933492953

ISBN-13: 978-1933492957

Product Dimensions:

8.6 x 0.6 x 11 inches

Shipping Weight: 1.4 pounds (View shipping rates and policies)

Average Customer Review:

4.8 out of 5 stars

207 customer reviews

Amazon Best Sellers Rank:

#9,941 in Books (See Top 100 in Books)

Great book. NOT a drawing instructional book though. It's theory.

I'm a professional comic artist but I never went to art school so I have to find learning materials on my own. The hardest part of the comic process for me has always been layouts. I've tried reading books on cinematography but none of them really captured the psychology behind a shot that I was looking for. This book does exactly that! The author explains basic cinematography rules, specifically points out what differences in lighting can mean, and explains (with clear examples) what a shot says about a situation without any dialogue. You can piece together a story based around a single shot, and that's exactly what I wanted to learn about. I just wish I had gotten this book before bothering with all the others in my collection.

I thought I reviewed this already... I got this book cause amazon sent me an email. and I'm glad they did.this book changed everything for me. this book goes into alot and I got alot of gems from it. its a great book for any storyteller. But I really enjoyed the art. honestly thought me about silhouette, contrast and composition. which the book touches on but every image in this book is a great example of all three.must have for every and any artist. highly recommend for anyone any form of storytelling or animation and so on. and you might think I've been drawing for years. I've studied other book on composition... thats great! But get this book. it will take you to a whole other level. this is like advanced stuff here. and he goes into illustration, comics, animation. this book is a goldmine.

I don't remember how I stumbled upon this book, but it completely changed the way I think about composition and visual storytelling.Whereas other books cover the basic rules of composition, Framed Ink does a deep dive into drawing and composition as practical tools for effective visual storytelling. The author demonstrates (through an endless array of beautifully rendered images) how to build precise, purposeful compositions from the ground up.Framed Ink would be one of my "desert island" books. I've never found another resource that communicates composition so thoroughly, completely, and effectively.I've read it countless times, and I gain new understanding every time I revisit any of its valuable pages.

So far this book has been everything I have been wanting, in an instructional guide, for creating Graphic Novels. I also have the books Writing and Illustrating the Graphic Novel and Foundations in Comic Book Art.About half way through Writting and Illustrating and just started Foundations.This book I find to be better because Mr. Mateu-Mestre not only is giving you the foundational principles for creating a great Graphic Novel. But also introduces so many great new ideas and ways of changing our thinking and perceptions in regard to the visual arts.When I am learning something I don't just want to learn the how to, but also the why's. The reasonings, the concepts, the underlining purposes. This way I can then adapt, alter and change these to suit my own needs.Like I said, I'm not even finished the book and I think it's Great! I also have his perspective books and ordered his Graphic Novel so that I can actually study his style and methods in action.I am looking to become a Great Graphic Novelist and to do that I might as well learn from the best. From Masters.Going through all my purchases on this subject, this would have been the book I wish I had bought first and then the rest. I am not knocking the rest. I mean glean all the knowledge you can as much as you can. Every Artist has something they can offer you. I'd just say, buy this book first or now, if you are still trying to find an amazing book on the subject. Good luck in your endeavors. All the best.

This book is one of my essential tools for book illustration. The author is economical with his words, which I appreciate.The questions to consider when deciding to illustrate are helpful to break us out of our usual way of seeing. I love his emphasis on mood and expression vs. accurate realism. He has basically distilled what people are attracted to visually and shows us how to leverage those things in our art.

This is a great book! Macros shows you what makes an image, a series of panels, or a film sequence communicate effectively.Framed Ink helps the artist get from crucial idea stage to actually producing work that succeeds in vividly expressing that idea.What makes Framed Ink really special is that everything covered is grounded in learning the language of visual story telling. Lighting, composition, perspective, etc. are all presented and applied within the context of telling a compelling story.By the last chapter you will know a great deal about how to tackle the blank canvas, page, and screen. In fact, even if you aren't an artist and don't want to become one, this is still a great book to enrich your appreciation and understanding of the visual arts: prints, paintings, comics, graphical novels, animation, film.

I used this book a lot throughout my animation schooling. It's a very helpful when it comes to composition and storytelling! Definitely helped me stage a lot of my shots :)

Compostion never really been a problem area for me, back in high school I was most regarded by peers and teachers as someone who knew her compostion. But this book helps bring it to the next level from good to amazing. The illustrations help give the focal point-on how your art should be placed upon your canvas. Don't be focused on your linework be focused on placement. It's an informative text with great examples to back up the claims. Recommend to any type of artist, but especially those interested in comics.

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PDF Download Out of the Depths: Women's Experience of Evil and SalvationBy Ivone Gebara

PDF Download Out of the Depths: Women's Experience of Evil and SalvationBy Ivone Gebara

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Out of the Depths: Women's Experience of Evil and SalvationBy Ivone Gebara

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Whether understood as sin, as embracing all manner of suffering and injustice, or as the inexplicable human choice of evil over good, evil has historically been described and pondered chiefly through male categories understood as a universal viewpoint. Likewise salvation. Gebara here presents an alternative, feminist approach to evil and salvation. She allows women to voice their personal suffering from their own contexts, thereby manifesting their many differences. She then introduces a perspective on evil and salvation based in gender analysis to address specifically "the evil women do," the evil they suffer, and women's redemptive experiences of God and salvation.

• Sales Rank: #958266 in Books
• Color: Red
• Brand: Brand: Augsburg Books
• Published on: 2002-04-01
• Original language: English
• Number of items: 1
• Dimensions: 8.97" h x .50" w x 6.26" l, .68 pounds
• Binding: Paperback
• 220 pages

Features

• Used Book in Good Condition

About the Author
Gebara, a Brazilian Sister of Our Lady-Canonesses of Saint Augustine, is a visiting professor of feminist theology throughout Latin and North America and Europe.

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Free PDF Learning By Choice: 10 Ways Choice and Differentiation Create An Engaged Learning Experience for Every StudentBy A.J. Juliani

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Learning By Choice: 10 Ways Choice and Differentiation Create An Engaged Learning Experience for Every StudentBy A.J. Juliani

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"As educators, we all want to do our best for the kids we serve each day. As adults, we value having choices very much; however, how often do we allow our students to have choice in their educational journey? Juliani explores this notion of choice in an in-depth study of how giving students such opportunities can lead to higher levels of achievement and quality of their overall academic experience. His "10 ways" will not only transform your classroom but also change the way you feel about teaching; they're a must have for every classroom teacher!" 
-Erin Klein, MACUL Michigan Teacher of the Year, ASCD Emerging Leader, and Scholastic Top Teacher 

"When it comes to student choice in the classroom, AJ Juliani is both passionate and authoritative. His practical, step-by-step instructions take the often nebulous concept of choice and turn it into something actionable and manageable for classroom teachers." 
-Angela Watson, Author of Unshakeable and Awakened, Founder of The Cornerstone for Teachers 

Think about the best learning experiences you've ever had. Chances are you had a choice in what you were learning, and what you wanted to get out of the experience. 

Yet, in our schools it is difficult to give students choice when curriculum, standards, and expectations get in the way. 

This book presents 10 simple ways to transform your classroom into a student-centered experience, through choice, easy ways to differentiate, and a focus on student engagement from the start. 

Each chapter covers a specific area of teaching and learning with choice: 

-Choice in what we learn (content) 

-Choice in how we learn (instruction) 

-Choice in technology 

-Choice in purpose 

-Choice in pace and order 

-Choice in assessment 

There are many educational books out there on WHY we should be learning different and teaching different. This books focuses on the HOW. The 10 strategies start with a story, and end with a step-by-step guide on how to implement choice effectively in any classroom.

• Sales Rank: #59540 in Books
• Published on: 2015-04-17
• Original language: English
• Number of items: 1
• Dimensions: 9.00" h x .26" w x 6.00" l, .36 pounds
• Binding: Paperback
• 114 pages

About the Author
A.J. Juliani is an Education and Technology Innovation Specialist in the Upper Perkiomen School District. He is the author of "Learning By Choice" and "Inquiry & Innovation in the Classroom." Juliani has worked as a middle school and high school teacher; K-12 technology staff developer; educational consultant for ISTE; and educational speaker. Juliani has recently launched a new podcast, "Classroom Questions", and is a co-founder of the successful Classroom Cribs website for brain-friendly based learning spaces. Above all else, Juliani believes we must give our students choice in their learning path. He lives with his wife and three children.

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Get Free Ebook Plowshares & Pork Barrels: The Political Economy of Agriculture (Independent Studies in Political Economy)By E.C. Pasour Jr., Randall R

Get Free Ebook Plowshares & Pork Barrels: The Political Economy of Agriculture (Independent Studies in Political Economy)By E.C. Pasour Jr., Randall R

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Plowshares & Pork Barrels: The Political Economy of Agriculture (Independent Studies in Political Economy)By E.C. Pasour Jr., Randall R

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Agricultural subsidies in grains, cotton, milk, sugar, tobacco, honey, wool, and peanuts are analyzed in this examination of U.S. farm policy. Looking at such programs as food stamps, crop insurance, subsidized credit, trade credit, trade subsidies and import restrictions, conservation, agricultural research, and taxation, this historical perspective argues that these subsidies ultimately redistribute wealth to powerful agricultural interests who use their political clout to advance their economic interests at the expense of the general public. This analysis of government farm programs will appeal to professors and students who study agriculture; people affected by government farm policies; public officials, and businesses affected by agricultural policy such as those in food service, retail, and distribution.

• Amazon Sales Rank: #1516553 in Books
• Brand: Brand: Independent Institute
• Published on: 2005-09-01
• Original language: English
• Number of items: 1
• Dimensions: 9.00" h x .85" w x 6.00" l, 1.26 pounds
• Binding: Paperback
• 408 pages

Features

• Used Book in Good Condition

Review "This skillful, readable and comprehensive book is an unapologetic, well-written argument to limit government in all aspects of agriculture." —American Journal of Agriculture Economics

About the Author E. C. Pasour, Jr., is a professor of business and economics at North Carolina State University and the author of Agriculture and the State. He lives in Raleigh, North Carolina. Randall R. Rucker is a professor of agricultural economics at Montana State University. He lives in Bozeman, Montana. Bruce L. Gardner is the former assistant secretary for economics in the U.S. Department of Agriculture and the dean of the college of agriculture at the University of Maryland. He lives in College Park, Maryland.

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